Extra: Peter Pan

Peter Pan is a fictional character created by Scottish novelist and playwright, J.M. Barrie (1860–1937), as well as the title of a stage play and novel based on the character.
A mischievous little boy who refuses to grow up, Peter Pan spends his never-ending childhood adventuring on the small island of Neverland as leader of his gang, the Lost Boys. Pan is based on a child Barrie knew.
Background
Barrie created Peter Pan in stories he told to the sons of his friend Sylvia Llewelyn Davies, with whom he had forged a special relationship while both were married.
The character's name comes from two sources: Peter Llewelyn Davies, at the time the youngest of the boys, and Pan, the mischievous Greek god of the woodlands. Mrs. Llewelyn Davies' death from cancer came within a few years after the death of her husband. Barrie was named as co-guardian of the boys and unofficially adopted them.
It has also been suggested that the inspiration for the character was Barrie's elder brother David, whose death in a skating accident at the age of thirteen deeply affected their mother. According to Andrew Birkin, author of J.M. Barrie and the Lost Boys, the death was "a catastrophe beyond belief, and one from which she never fully recovered… If Margaret Ogilvy [Barrie's mother as the heroine of his 1896 novel of that title] drew a measure of comfort from the notion that David, in dying a boy, would remain a boy for ever, Barrie drew inspiration."
Peter Pan first appeared in print in a 1902 book called The Little White Bird, a fictionalised version of Barrie's relationship with the Llewelyn Davies children, and was then used in a very successful stage play, Peter Pan, or The Boy Who Wouldn't Grow Up, which premiered in London on December 27, 1904.
In 1906, the portion of The Little White Bird which featured Peter Pan was published as the book Peter Pan in Kensington Gardens, with illustrations by Arthur Rackham. Barrie then adapted the play into the 1911 novel Peter and Wendy (most often now published simply as Peter Pan).
There are seven statues of Peter Pan playing a set of pipes, cast from a mold by sculptor George Frampton, following an original commission by Barrie. The statues are in Kensington Gardens in London, in Liverpool, in Brussels, in Camden, New Jersey, in Perth, in Toronto, and in Bowring Park in St. John's, Newfoundland.
Themes
The most apparent thematic thread in the story concerns "growing up" (or not), with the character of Peter wanting to remain a child forever in order to avoid the responsibilities of adulthood. "Peter Pan syndrome" has become a psychiatric term named by Dr. Dan Kiley to describe an adult who is afraid of commitment and/or refuses to act his age. It is also sometimes used to positively describe an innocent, childlike approach to life.
Along with the theme of "growing up" is the theme of death and innocence. Barrie's tale is intricately tied to the real Llewelyn-Davies boys and the deaths of both their mother and father.
Peter and Wendy form a contrast between childhood and maturity. Peter Pan remains a child in mind because he cannot feel pain of death affecting him or those around him. Peter has one emotion only: gladness, and occasionally to that he adds fury. He forgets soon after the fact anything that is not happy and lighthearted: "I always forget them after I kill them".
There is a slight romantic aspect to the story, which is sometimes played down, or omitted completely, in the movie adaptations. Wendy's flirtatious (by standards of the day) desire to kiss Peter, his desire for a mother figure, his conflicting feelings for Wendy, Tiger Lily and Tinker Bell (each representing different female archetypes), and the symbolism of his fight with Captain Hook (traditionally played by the same actor as Wendy's father), all could possibly hint at a Freudian interpretation (see Oedipus Complex). Most "children's adaptations" of the play omit any romantic themes between Wendy and Peter, but Barrie's 1904 original, his 1911 novelization of it, and most musicals at least hint at the romantic elements.
Another theme, also mentioned in the 2004 film Finding Neverland was made about Hook and the ticking crocodile. The statement was "We all have our own ticking crocodiles chasing us". This statement and the croc itself represent how we sometimes run away from time but it ultimately will catch up.
It is traditional in productions of Peter Pan, whether theatrical or on movie or TV, for Mr. Darling (the children's father) and Captain Hook to be played (or voiced) by the same actor. This highlights the similarity between the two characters as central figures in the lives of the children. It also brings a poignant juxtaposition between Mr. Darling's harmless bluster and Captain Hook's pompous vanity. This technique of tying two characters together was later used in The Wizard of Oz and Into the Woods, among others.
- Source: Wikipedia